Saturday 5 November 2011

Lecture 1.Expressive Places in 'Far from the Madding Crowd'


Waterston Manor, Puddletown, Dorchester



Oak's Shepherd's Hut






The Maltsters






Fanny Robin, barracks and workhouse






The former workhouse, now hospital, Dorchester



 1. The Great Barn






2. Eventide. The Sheep-shearing Supper

Helen Paterson in The Graphic




3. The Fir Plantation








SUGGESTIONS FOR FURTHER READING


Berger, Sheila. Thomas Hardy and Visual Structures : Framing, Disruption, Process. New York ; London: New York University Press, 1990.
Bullen, J. B. The Expressive Eye : Fiction and Perception in the Work of Thomas Hardy. Oxford: Clarendon, 1986.
Byerly, Alison. Realism, Representation, and the Arts in Nineteenth-Century Literature. Cambridge: Cambridge University Press, 1997.
Hardy, Thomas, and Suzanne B. Falck-Yi. Far from the Madding Crowd. Oxford: Oxford University Press, 2002.
Higonnet, Margaret R. The Sense of Sex : Feminist Perspectives on Hardy. Urbana: University of Illinois Press, 1993.
Miller, Joseph Hillis. Thomas Hardy : Distance and Desire. [S.l.]: Harvard U Pr., 1970.
Morgan, Rosemarie. "Women and Sexuality in the Novels of Thomas Hardy." Routledge, 1988.
———. "Women and Sexuality in the Novels of Thomas Hardy." Routledge, 1988.


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